A research that interconnects memory, language and body, aiming to build a repertoire of exercises that train performativity, imagination and emotion. The project proposes a dynamic archive of practices that derive from the path and thought of Fiorenza Menni, artist and trainer active since 1998 in the performing arts.
curated by Margherita Kay Budillon e Eugenia Delbue
sound by Vincenzo Scorza
graphic by Diego Segatto
contributed to the research: Elena Correale, Caterina Dufì, Monica Garuti, Andrea La Bozzetta, Francesca Lupo, Ermelinda Nasuto, Laura Pizzirani, Emilio Ricciardi, Francesca Siracusa, Rebecca Sisti
In collaboration with In\Visible Cities – Gorizia, CSS Teatro stabile d'innovazione del FVG
February 2, at 4 pm public presentation of the project in a laboratory format open to the public.
Tickets 10 euro. Booking at biglietteria@pimoff.it
Margherita Kay Budillon and Eugenia Delbue have been collaborating with Ateliersi since 2017, in performances, performances and training projects. Since 2020 they work on the project "Di pratica e di evanescenza", devising a personal methodology for writing performative exercises focused on the pedagogy of Fiorenza Menni that can transmit the training practice in her absence.
Ateliersi is an artistic production’s collective which operates in the field of theatre and performing arts. It deals with artistic production (performances, dramaturgy, editorial projects, actor’s training) and with Atelier Sì‘s cultural program. Ateliersi’s members are Fiorenza Menni (artistic director, actress and author), Andrea Mochi Sismondi (artistic director, actor and author), Elisa Marchese (administration), Tihana Maravic (projects and communication management), Antonella Babbone (promotion and distribution), Silvia Guescini (organisation and space management) and Diego Segatto (web and artistic designer). Several other artistic collaborators and consultants are involved in specific projects. Ateliersi’s artistic work is characterized by a multidisciplinary and innovative approach focused on a pronounced performativity towards the contamination between theatrical and other artistic languages .
